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Events

Spazieren gehen in Kreuzkölln — allgirls gallery

November, 2008

Horde — The Netherlands Media Art Institute

November, 2008

Public White Cube — SF MoMA

November, 2008

That was lucky! — NGBK

November, 2008

A la recherche du temps perdu — Miklova galerija

October, 2008

9to5 @ Fluxmuseum Fort Worth Texas

September, 2008

Will Work For Food — Gallery Aferro

September, 2008

Will Work For Food — Virtual Chef

September, 2008

9 to 5 — Meantime Cheltenham UK

July, 2008

Will Work For Food — What Does Value Mean

June, 2008

Will Work For Food — Rheinsburg Hallen

June, 2008

Pole Position — Kunstinvasion

May, 2008

A la recherche du temps perdu — Moderna Galerija Ljubljana

May, 2008

Will Work For Food — Filmwinter Stuttgart

January, 2008

Thanksgiving — Ausland Berlin

October, 2007

Kunst im Walde — Brandenburgischer Kunstverein

September, 2007

Radio Vehicles — Hyde Park Art Center Chicago

January, 2007

A la recherche du temps perdu — paraflows Vienna

September, 2006

Radio Vehicles — Alexander Platz

August, 2006

Radio Vehicles — Parks

June, 2006

Horde — Brandenburgischen Kunstverein Potsdam

April, 2006

A la recherche du temps perdu — SPACE London

March, 2006

A la recherche du temps perdu — allgirls Berlin

November, 2005

Boxing For Peace — Deutsch-Russisches Museum

September, 2005

Public White Cube — Projektraum Kampl

September, 2001

scanner++ — Ortsbegehung 4 NBK Berlin

July, 1998

Without Addresses — Documenta X

June, 1997

International City — Ars Electronica

September, 1995

Field Trip — Krampnitz Military Site

May, 1994

Handshake — Ostranenie Video Festival at Bauhaus Dessau

November, 1993

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Karl Heinz Jeron — sculptures | enactments | soundscapes

My artworks are not fixed things. They extend to include organic and inorganic intensities. They are fundamentally in a state of exchange, negotiation or reconfiguration. They exist in a state of potential. They are informed by the digital even when not in digital format, These works are shaped by a sense of data excess and data vulnerability through technology. My art relates to the resonant qualities of all things and organisms, the perpetual dynamic exchange of initiating and responding, from the micro to the systemic. I am interested in site specificy and the constant change of the hybrid states of transit places. I am concerned with the questions of what changes, and above all how something new emerges.