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No more decision problems – build your own electronic oracle at no cost

December, 2015

Digital Synesthesia — University of Applied Arts Vienna

February, 2015

Along the Light — Festival for Analogue Images and Sound

September, 2014

Line Follower Robot Race #2 — Ausland Berlin

June, 2014

Linefollower Robot Race #1 — Betriebsgelände

March, 2014

Stop zappin’ Start jammin’ — Transmediale

February, 2014

Fresh Music for Rotten Vegetables — Filmwinter Stuttgart

January, 2014

Windturbine Workshop

November, 2013

Musical Robots — Artes Mediales Stgo de Chile

July, 2013

Robot House Music Orchestra — Ljudmila

May, 2013

Robot House Music Orchestra — I’MM

May, 2013

Trockenschwimmen Biotec Orchestra — Ausland

December, 2012

Roboterhausmusik — Institut für alles Mögliche

December, 2012

Roboterhausmusik — Institut für alles Mögliche

November, 2012

Roboterhausmusik — Institut für alles Mögliche

October, 2012

Roboterhausmusik — Institut für alles Mögliche

September, 2012

Fresh Music For Rotten Vegetables — EEII ’12

May, 2012

With Electronics To Sound — Museum für Kommunikation

November, 2011

Fresh Music For Rotten Vegetables — Amber Festival

November, 2011

Fresh Music For Rotten Vegetables — Lab 30

October, 2011

Fresh Music For Rotten Vegetables — Shedhalle Zurich

October, 2011

Fresh Music For Rotten Vegtables — Freie Gartenakademie

August, 2011

Connected Potatoes — Dock 18 Zürich

June, 2011

Fresh Music For Rotten Vegetables — Ausland Berlin

June, 2011

With Electronics to Sound — HMKV Dortmund

May, 2011

Fresh Music For Rotten Vegetables — EMAF

April, 2011

Fresh Music For Rotten Vegetables — Tank London

March, 2011

Sounding — Freies Museum Berlin

February, 2011
Transmediale Workshop Karl Heinz Jeron Schaltplan

Workshop — Transmediale

February, 2011

Workshop — Stuttgarter Filmwinter

January, 2011

Workshop — Edith-Russ-Haus Oldenburg

September, 2010

Trockenschwimmen — Ausland Berlin

June, 2009
Karl Heinz Jeron — sculptures | enactments | soundscapes

My artworks are not fixed things. They extend to include organic and inorganic intensities. They are fundamentally in a state of exchange, negotiation or reconfiguration. They exist in a state of potential. They are informed by the digital even when not in digital format, These works are shaped by a sense of data excess and data vulnerability through technology. My art relates to the resonant qualities of all things and organisms, the perpetual dynamic exchange of initiating and responding, from the micro to the systemic. I am interested in site specificy and the constant change of the hybrid states of transit places. I am concerned with the questions of what changes, and above all how something new emerges.