The Chewing Gum Man Is Listening To The Radio With His Friends

 

plastic, wire, concrete, radio, radio sender, soundscape

An installation with small hybrid creatures and a radio program. The soundscape consists of generative audio works. The radio program can be received in the exhibition space on 107.9 FM with standard FM radios or a smartphone app.

The program:
ASMR, a text-based Autonomous Sensory Meridian Response (ASMR) broadcast.

Kunststoff, Draht, Beton, Radio, Radiosender, Soundscape

Eine Installation mit kleinen Mischwesen und einem Radioprogramm. Der Soundscape besteht aus generativen Audioarbeiten.
Das Radioprogramm ist auf 107.9 FM im Ausstellungsraum mit normalen Radios oder entsprechender App zu empfangen.
 
Programm:
ASMR, eine textbasierte Autonomous Sensory Meridian Response (ASMR) Sendung
 
 

Similar Posts

  • Space Time

    Space Tme refers to several related phenomena where a clock does not run at the exact right speed compared to another clock. That is, aftersome time the clock “drifts apart” or gradually desynchronizes from the other clock. Everyday clocks such as wristwatches have finite precision. Eventually they require correction to remain accurate. The rate of…

  • Public White Cube

    The 1st Public White Cube (PWC) is an attempt to produce interaction by economic means. In a series of auctions, the audience will be granted an opportunity to make a material change to an existing work of art and its exhibition situation. The auctions will take place via the Internet auction platform Ebay®. 1st Public…

  • Aural Landscapes

    Aural Landmarks transforms the sonic identity of places into music by converting environmental recordings into algorithmically generated scores. Performed at the original locations, the compositions reveal the hidden musical structures of everyday soundscapes and encourage a deeper awareness of how we listen to our surroundings.

  • Hypothetical Machines

    Enactments of social media content These hypothetical machines are present but not quite legible. They exist in a state of potentiality. They are informed by the digital even when not in digital format, they are shaped by a sense of data excess and data vulnerability. They are about thought-experiments and speculative enactements. Things Are Not…